Each entry below offers a glimpse into one of my projects. To see the full body of work — artist statement and images — click the project title or image, or navigate directly through the Projects menu above.
Broken
Broken examines political change as irreversible rupture — not as narrative or debate, but as outcome. Working with shattered glass and cyanotype, the work captures not the objects themselves but their memory: traces left by light, edges recalled rather than seen. The break has already happened. What remains is the condition we are sorting through.
Ocean View, DE – 2026
The Cost of Lies
The Cost of Lies examines falsehood as a condition rather than an event — chronic, cumulative, and resistant to resolution. Working with mechanically printed text, wax, and repeated acts of carving and correction, the work enacts the tension between the obligation to challenge lies and the reality that they persist. The word lies is never fully erased. Neither is the damage done in opposing it.
Ocean View, DE – 2026
Erasure
Erasure is a process-based work in which graphite is repeatedly applied and removed, leaving behind residue, damage, and the evidence of its disappearance. Through this quiet, cumulative act, the piece reflects on cultural and political instability, where meaning is not erased cleanly but fragmented, fragile, and left open for interpretation.
Ocean View, DE – 2025
Chromatic Equivalents
Inspired by Alfred Stieglitz, Chromatic Equivalents uses Polaroid abstractions of light and color to explore whether art resides in the image or object, ultimately centering on feeling.
Ocean View, DE – 2024
It is, is it?
it is, is it? is a Polaroid-based work that asks the viewer to look beyond the surface of what they believe to be true. By cutting words from their original context and transposing them, the piece creates two simultaneous meanings — one in positive space, another in the negative space left behind. A follow-on to Fact Fake, made during the first impeachment trial of Donald J. Trump, this new work extends that inquiry into the mechanics of meaning itself, asking what happens to truth when we begin to question what we see.
Ocean View, DE – 2024
Fact Fake
Made during the November 2019 impeachment hearings, Fact Fake responds to the illusory truth effect — the phenomenon in which repetition makes a statement feel true regardless of whether it is. Typed on a 1930s Royal 10 typewriter and corrected, again and again, with white-out, the words fact and fake deteriorate across a nine-image grid until the difference between them is no longer easy to see. That difficulty is the work.
Ocean View, DE – 2019
Relic of the 1965 Cullen Bridge
Relic of the 1965 Cullen Bridge is a diptych made from a fragment of steel salvaged from the demolition of the Charles W. Cullen Bridge at the Indian River Inlet. The fragment is a signifier — a connection to something that no longer exists. The images move beyond the object into abstraction: light, texture, and form.
Ocean View, DE – 2015
